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Friday 1st December 2017

Isaac Newton Institute

United Kingdom

Friday 1st December 2017, Cambridge
New mathematical approaches, such as shape analysis and computational anatomy, can be applied to growth and form in a variety of complex living and inanimate systems. Mathematical tools have the capacity to revolutionise a whole range of inter-disciplinary problems, from image analysis to medical diagnosis, from study of paintings to mechanical toys and games.
Indeed, mathematical approaches, including those of nonlinear dynamics, chaos theory, fractal analysis, fluid dynamics and fluid-structure interactions, have, in recent decades, been brought to bear on a whole range of cross disciplinary problems, until recently outside the scope of physics: from visual to performing arts and from children’s puzzles to physical aspects of sport.
The emergence of form in art and the properties and role of form in finished artworks includes the mathematical and physical aspects of artistic processes and techniques. These issues are at the interface between science and art. Applications of physics and mathematical analysis to art is still a novel field of research, although a growing number of physicists and applied mathematicians have been studying artmaking, particularly various painting techniques, and art objects themselves.
This knowledge exchange event is delivered by the TGM as part of the Isaac Newton Institute Research Programme on Growth Form and Self-organisation.  The Programme coincides with the 100th anniversary of the book by d’Arcy Thompson, whose elegant analysis of shapes of organisms and their mechanical characteristics brought the tools of mathematics and physics to the study of living systems - effectively enlarging the scope of both fields. This workshop will therefore bring together mathematicians, biologists and physicists from both the research and industrial communities.
Aims and Objectives
Mathematicians and scientists who work on the physical aspects of art, on the art-making processes, and on the physics of toys, often work individually or in small groups disconnected from one another. This workshop aims to extend the reach of the Isaac Newton Institute Research Programme, by fostering exchange between different groups of researchers and practitioners and to establish links between researchers pursuing different diversions and perhaps begin forming a community.
One of the goals of this Workshop is to shed light on the artists’ techniques and their implications for the artworks and, potentially, for art history and art appreciation as well as exploring a separate but related theme of the dynamics of “artful” toys and devices.
The Programme will include two overview talks by an art historian and a mathematician, followed by a series of more focused presentations organised into two main sessions:

  • Form in Art
  • Form in Toys and Games.

These talks will highlight how mathematicians and physicists might think about art and will help to explain some of the links between art and science. The talks will include end user presentations from those working in the toy making and film industries.
The event will close with a short question and discussion session, followed by a drinks and networking reception.
It is expected to bring together industrial and academic experts from a diverse set of backgrounds including mathematics, physics, and biology, with those looking at animation art, image processing, computer vison and visual art.
Registration and Venue

Attendance is free. To register and for further information, please follow the link above. The workshop will take place at the Isaac Newton Institute for Mathematical Sciences in Cambridge. Please see the Isaac Newton Institute website for further information about the venue.